In the stratosphere of movie enthusiasts, anticipation for a new film by David Fincher can be seen. Announced by Netflix to a crowd of film critics and journalists on Thursday night, his 11th movie “Mank” is both personal and technical. It’s been a decade since Fincher received the Best Director nomination for “Social Network”, a loss that still affects many award enthusiasts today. With “Mank”, he will most likely get another nomination in the category.
In terms of visuals alone, the “Mank” that Netflix will release on a streaming platform on December 4th is an impressive achievement, capable of competing with past successes like “Gravity”. by Alfonso Cuarón or “Mad Max: Fury Road”; by George Miller – films that have increased in number with many of their images in previous award years. As spectacular and impressive as the movie, it could have some challenges to move on its way to the Dolby Theater. In a year that sees the film industry (and movie theaters) stall, the movie celebration will probably be the top spot for award voters. With that said, Herman J. Mankiewicz’s view of the development story of Orson Welles’ iconic “Citizen Kane” opens up as an advanced course in cinematography, with several Notes Cliffs are needed to understand the story.
To be fair, the older award voters will fall in love with this about classic Hollywood, taking all of its splendid cinematic suits, costumes, and structures. It is likely to be liked in the cast, and most likely to be loved at the SAG Awards Ceremony for the best cast, its multiplayer could be in the number of years nominated in categories. their respective. Gary Oldman, who won the 2018 Academy Award for “Dark Hour”, is just as hard at work as Herman J. Mankiewicz as you’d expect an actor of his caliber. In a seemingly very competitive year, he could find his way to a nomination. But also, as with Robert DeNiro in “The Irishman” last year, he could be eliminated in the Best Actor category.
Amanda Seyfried, an underrated actress in a dramatic space, has the type of role that AMPAS voters often respond positively. Playing the classic star Marion Davies, collaborating with the seemingly fragile supporting actress field so far, the “Les Miserables” and “Mean Girls” stars could win their first Academy Award nominations.
For the supporting men, it can be more difficult to decide who, or if any of them, will be able to move forward in a solid field. I found Arliss Howard’s Louis B. Mayer incredibly engaging and energizing in a shot that watched the hallway – my favorite scene in the movie. British veteran Charles Dance might have enough water to get him to his first Oscar nomination with a two-scene punch that could get a response from voters. As Mank’s brother, Joseph Mankiewicz, the four-time Oscar winner famous for films like “All About Eve,” Tom Pelphrey has been focusing on the center of the picture, which can be seen. was flawed for some while Tom Burke completely transformed Orson Welles himself, and a standout one.
The meticulous details place this film as the clear leader in several key categories. Cinematographer Erik Messerschmidt, in his narrative debut, could make history as the first person to win an Academy Award for Best Cinematography in his first film. Oscar winner Claudio Miranda almost achieved this feat with “Life of Pi”, following his first work “Failure to Launch.”
Production designer Donald Graham Burt, who won his first Academy Award with Fincher for “The Curiosity Case of Benjamin Button,” along with Oscar-nominated film designer Jan Pascale ( “Good Night, and Good Luck.”) Has jumped out as clear leaders for their respective categories. Hollywood reenactments of the 1930s and 1940s were beautifully invented.
Feeling like any modern classic, the sound team will be most certainly received while nominee for the Emmy Trish Summerville (“Westworld” of HBO) is on track. First Oscar nomination for best outfit.
Creative duo Trent Reznor and Atticus Ross, who won their Academy Award in 2010 for “Social Network” but were not invited again despite their efforts with “Gone Girl” and ” The Girl with the Dragon Tattoo ”, their most outstanding work of innovation yet. Unable to recognize anything they’ve ever composed, this combination could be a dual threat to Pixar’s upcoming work in “Soul”, which would make them nominated composers. first double since Alexandre Desplat, who won an Oscar for “The Shape of Water”. “
So where will all of this land eventually? While critics and Film Twitter will love “Mank”, most Netflix subscribers, like anyone in my family, will be bored with it. But in 2018, that does not affect “Roma” when receiving 10 Oscar nominations. The story, penned by Fincher’s late father Jack Fincher, is most likely the first to win in the screenplay category since Sidney Howard for “Gone with the Wind” in 1939. Rich lines and dense, and this is a passionate project for Fincher, who is expected to make this movie after “The Game” in the late 1990s. Any heavy criticism could come with the movie. In terms of story structure, both can be muted or unspoken due to the filmmaker’s relationship with the writer.
As for Fincher himself, we can see a real battle in the best directing field between him and Chloé Zhao for “Nomadland”. Two movies, along with Netflix’s “The Challenge of Chicago 7” by Netflix Sorkin and Amazon Studios’ “One Night in Miami” are likely to win the top prize.
I could foresee a scenario where “Mank” leads the list of nominees with 13, taking in every available technical nomination, even photo effects, makeup and hairstyles. At least that’s what is currently expected of my Oscar prediction rankings. But I couldn’t help but wonder: What if “Roma” and “Mank” were swapped in their calendar years, proving that time is everything? I think “Mank” will be crowned “Green Book” in 2019 and it will be Netflix’s first best film award. But at least this year, streamers are still more than that.