Today I killed a man
Photo: Cam McLeod / Paramount Network
Now I get used to Golden stone stumble across its half-life half-life storylines and mediocre mythological gaze in its mid-season, just to focus on the end. But I can’t recall a dramatic shift like between a week’s not-so-disappointing episode and this week’s “I killed a man today”, which testifies to what this show does. can happen when everything clicks. At best of me, Golden stone like a 21st century Bonanza, using classic Western horror thriller classic as the setting for a realistic re-enactment of how the great US livestock dynasties 150 years ago are harmonizing.
So let me begin by reading some of my words. I have been complaining a lot this season about redeploying “John Dutton, Super Rich and Powerful Super Farmer” to “John Dutton, The Austerity Worker”. And even after this week’s chapter, I still think Golden stoneTaylor Sheridan’s creator – perhaps influenced by the proud farmers he might have spoken to prior to the show’s introduction – has a false sense of America’s caste system if he He thinks that the Duttons are not rich. Put it this way: With what they own and with resources at their disposal, they can get things that most of us cannot.
However, I still like that in “I Killed a Man Today”, the characters stopped talking around the situation that John Dutton is facing, and instead, just directly presents everything to each other. Here’s what we already know: Market Equities and their real estate partners are giving Duttons half a billion dollars for 50 acres; and if John refused, they would enlist the state government to usurp it. But here’s the bigger context (suggested before but now clearly shown): With reduced sales and rising property taxes, Yellowstone Dutton Farm couldn’t exist in its current shape for more a few years.
So those are the stakes. And they are very real, despite John Dutton’s perception of his own socioeconomic status. From a screenwriter’s point of view, the problem is that the solution here seems obvious. John has to sell. (As Beth points out, he doesn’t even have to farm sale. He can keep his house and business, and there will be enough liquidity to keep breeding until he dies.) That’s why Sheridan has spent so much time in the past two seasons. to turn John into a stubborn bastard, with crazy kids.
Okay, maybe they don’t all crazy. An important part of this section is about Kayce’s growth into a Beautiful Young Man. He found dozens of ranchers lining up at his Commissioner of Livestock’s office, to thank him for risking his life to bring the leavers to justice. Jamie told him that John had never received such real admiration. (“Respect and loyalty”, he said, “But no that. “) Two Duttons then share a sweet moment when Jamie adopts him asking if he can call Kayce” brother “or not. Kayce said, without hesitation, “Until the day you die, you better never call me anything else.”
Beth, though? Beth is still pretty bad. Finding a friend and proposing him doesn’t take her away from her advantage. In this episode, she figured out all the stops to try to drive the Stock Market out of Montana: shorting their stock; spoiling the market by spreading rumors about takeovers; partnering with the sanctuary’s resident financial hawk Angela Blue Thunder; works. In return, she was crushed by Roarke Morris boss Willa Hayes. (“After I fired this bitch, we should hire it,” Willa sighed.)
However, in spite of all that – and despite telling her father how hopeless his cause was – she still let him know that she would continue to push for his hobby. if he wants her. “Everything I do is for you,” Beth reminded John. So what does he order her to do about the sale of land? “Not an inch. Not one. … There is always another way. ”
After the lack of controversial action last week, it was gratifying to feel such a sense of urgency and integration in “I killed a man today”. Sheridan and the episode’s director, Guy Ferland, even overcame my initial skepticism for an extra episode that – for the first few scenes – looked like it was setting up an attack scene. sex for no reason. When a stranded Monica picked up a reptile on the side of the road, I was soon puzzled by what was to come. But it turns out that the entire sequence is a payback to the investigation of the missing people from the previous two episodes. Monica is baiting a serial killer and rapist, who previously escaped arrest. I will admit: I was cheated.
However, the reward for the Monica plot was a disappointment. Initially, she avoided telling Kayce her plan to help Rainwater Chief of the wound heal, as she didn’t want him to worry. But he also can’t say she about his bloody assault on the pickers (who appeared on the front page of the local newspaper and wounded two of his men … so I’m not sure his caution or lack of Does her understanding mean anything). They argued over their lack of openness, ending with Kayce defending herself – on the grounds of the dangers and complications of his life – and Monica didn’t want to say much. Honestly, evaluating his choices and his inner life for her is a bit of a rage.
And the big Kayce and Monica controversy wasn’t the only questionable time of the week. Rip also has a strange journey. He told Lloyd about his impending marriage to Beth, then sank into fun after Lloyd congratulated him on “outliving your past.” The episode ends with Rip crying at a bar. Maybe he’s upset because the musician playing on stage is Walker, the hand of the former Yellowstone farm that Rip was about to kill last season (before Kayce intervened). Or perhaps – like a useless and useless horse he could not destroy on his own – Rip felt like a wild beast that should not be tamed.
Whatever the reason for Mopey Rip, this new development could well be another step up to the big Rip / Beth split I’ve been dreaded by throughout the season. But who knows? Perhaps I would be pleasantly surprised at how that part played out, like I saw “I killed a man today”.
This episode or how? It’s even fine for flirting with creepy Teeter / Colby. Here, her seductive technique – undressing and asking him to wear skinny – leads the two into the path of the Duttons’ monstrous cowboy enemy Wade, who has promptly trampled the pair under her hooves. his gang horse. Teeter and Colby alive or dead still have to see. Now, it’s a relief to have something going on in this show, extreme or weird.
To be honest, I had a good feeling about this episode right from the opening scene: a short, lyrical piece of a rodeo expert doing his job. It looks great, is fun to watch, and doesn’t waste much time. It is hoped that the remaining two chapters of the third will follow that guide.
• While I appreciate the Dutton family’s more honest financial accounting in this episode, I was really flustered when Tate describes his father as “shattered like hell.” Last I checked, Kayce was Montana Livestock Commissioner (a two-digit high-paying job, according to Google), married to a college lecturer (not a fat gigs, but hardly the minimum wage), perhaps living without rent in a massive farmhouse where a well-stocked kitchen might be. I would argue Dutton could be the kind of rich very attached. But I think most Americans will like that “broken”.
• Kayce is still an honorable guy, as evidenced by his response when Jamie denied his busting duty with “My office won’t question it”. Kayce stared at him and said, “Maybe you should question it.”
• Sometimes I feel Sheridan relies too much on the “Beth bites” fishing rod; but I have to admit that I laughed out loud when John noted that she didn’t look like “a bride blushing” and she replied, “The blush was lost by me years ago. ” (It’s almost funny when John stops watching: “I like our human-to-human conversations but we have to put some damn boundaries.”)