قالب وردپرس درنا توس
Home / Entertainment / After the Biden Victory, ‘Saturday Night Live’ returned to form: NPR

After the Biden Victory, ‘Saturday Night Live’ returned to form: NPR



Jim Carrey as Joe Biden and Maya Rudolph as Kamala Harris on Live Saturday night on Saturday.

Will Heath / NBC / NBCU Photo Bank via Getty Images


hide captions

convert annotations

Will Heath / NBC / NBCU Photo Bank via Getty Images

Jim Carrey as Joe Biden and Maya Rudolph as Kamala Harris on Live Saturday night on Saturday.

Will Heath / NBC / NBCU Photo Bank via Getty Images

Finally, after weeks of training it feels like awkward costume rehearsals for a humorous show we’ve never seen, Live Saturday night delivered a performance that matched the timing.

But it doesn’t come from where you might expect.

That’s right, the news that the media have officially predicted Joe Biden and Kamala Harris as America’s next president and vice president provided an interesting source of energy for a show that was in season. This award, often seems unsure what to say about all the nonsense in real life.

In the show’s first “chilly” sketch, guest star Jim Carrey finally figured out how to balance his fairly accurate Biden impression – indeed, he was the only one. SNL performer for a while to even try to sound like the former vice president – with one of his most special movie characters.


Live last Saturday night
YouTube

Holding his hand in an “L” shape while conveying Ace Ventura’s insults, “idiot!” Carrey has made the Biden followers a little gossip that the practically elected president can never deliver in real life. You wonder if Carrey will SNL perform just for that moment.

But it’s interesting to see Maya Rudolph’s triumphant Kamala Harris, somehow adorned in an immediate replica of what the vice president-elect actually wore a few hours earlier, it’s not real. comparison with the next fire from host Dave Chappelle.


Live last Saturday night
YouTube

Admit that he is anxious and puffed on his cigarette – are they allowed to smoke indoors in New York today? – Chappelle opens her monologue when talking about her great-grandfather. He wondered what his ancestors, a former slave, might feel when looking at the series of old photos of his descendants, Chappelle’s Show, broadcast on Netflix and HBO Max without paying comic pay.

“He might be like, ‘This — this is bought and sold more than I do,’ said Chappelle, her voice strangely sour. It was personal, not: on the surface it was deceived by a media conglomerate, but also a shaken by the white domination system that somehow figured out how to become victimized. the nucleus of a black comedian millionaire.

He proved that America is one safer location because of pandemic coronavirus. “Remember what life was like before COVID?” he asks. “That’s right. It’s a weekly mass shooting. Thank God for COVID. Something has to lock these white murderers and keep them in the house.”

He gossiped about his neighbors in Yellow Springs, Ohio – farmers who instigated a public meeting to close the outdoor comedy gigs he did over the summer. “They said, ‘God, I’m trying to get them to sleep. And I keep hearing this guy scream all night. My kids are trying to sleep, and all they hear is the word N,’ Chappelle noted. . “I said, ‘Am I speaking or are you?’ “

He spoke of Ronald Reagan, criticized for his rigid speeches implying that black “welfare queens” were fleeing the government. “Remember what Ronald Reagan said about Blacks, that we were welfare people, drug addicts?” the comic says. “Who do you sound like now? Test of the stimulus. Herin. The rest of this country is trying to move forward and these whites — continue to hold us back.”

It’s an interesting turn. Four years ago, Chappelle hosted the first episode after Donald Trump was elected. And while liberals around the world mourn that event – Kate McKinnon played Hillary Clinton’s piano, sings the melancholy classic. Hallelujah, without humor – Chappelle’s monologue back then was skeptical and hopeful. “I’ll give him a chance,” he said. “And we, who are deprived of historic rights, ask him to also provide us.”

Well, given how Trump calls some white patriots “very good people” and unable to contain a pandemic disproportionately harming whites, we can see what How did that happen.

So how impressive it was, when the TV news broadcast images of cities around the globe celebrating Trump’s defeat – gathering in crowds to sing, dance and fire fireworks, damn COVID – Chappelle came up with a set of photos with repressed anger. Forget the celebration; he is still very sad about what the country has suffered.

Minutes after saying he was only allowed to tell the truth when there was a joke at the end, Chappelle let her falsification of Trump and COVID start to get really angry. “What kind of man makes sure he’s okay while his friends fight for their lives and die?” he asked, before answering bluntly. “A white man.”

Chappelle also enjoys being a provocative person, especially in recent years. So he also dropped material designed to appeal to his Biden-loving audience. Worst of all is a joke comparing Trump signing a coronavirus with AIDS head Queen Freddie Mercury.

(Dave, I know you don’t think you have a problem with gay and transgender people, but after watching your jokes about them over the past few years, I think you’re fooling yourself.)

That’s what Chappelle is all about: contradictory, fiery and thought-provoking, full of brilliant and salt-filled jokes with moments when he’s gone too far from purpose. It’s like watching Evel Knievel jump over Snake River Canyon on a motorbike, on the contrary.

Finally, he reminded everyone who was celebrating Biden’s victory that half of the country still feels angry, miserable, and marginalized – the way they felt four years ago. He encouraged viewers there now to hate feelings, not those who disagree with them.

“You have to find a way to forgive each other,” he said. “You have to find a way to find joy in your existence in spite of that feeling.”

There are other great sketches, especially one that features stereotypical Black mascots like Aunt Jemima and Uncle Ben fired by guilty white moderators.


Live last Saturday night
YouTube

But by the time Chappelle dropped the mic at the end of her monologue, viewers knew that we’ve seen a moment that brings back all of what we’ve been feeling for the past four years and points to a way forward, co- time makes us laugh.

Bravo Live Saturday night to release the first episode that is truly remarkable in the season. Now all you have to do is keep them coming.


Source link